...this is a reference to this post.
Alright, norms can be described in a few different ways. I like to think of norms (normal, normality) as the product of someone telling another or him/herself to "do this," and for that person to respond by following and/or accepting the order/suggestion. As the process repeats (with one, or a large number of people) it eventually is seen as something that happens. As it becomes something that happens more and more, this something is logged in one individual's/group's mind as a part of his/her/their life/lives, as part of something that dictates the way in which they approach their life, and how a decision(s) are made...one might call it a style of living that dictates what types of choices are made.
As generations pass, and styles are passed down via instruction/talking/music/movies/books/other forms of expression on an individual and broad level, these styles become norms that build societies and cultures. Some of these norms change over time, while others stay stable for many years. While I cannot say that this is universally the process in which this creation of norms take, this is how I currently understand it and what I will be referencing when I talk about norms from this point on.
...next time, I'll start talking about some applications/reasons for these norms, then I'll probably follow it up with why they're created at all. soon, somewhere along the way I'll actually get back to talking about guerrilla a little more directly.
Showing posts with label normality. Show all posts
Showing posts with label normality. Show all posts
Sunday, February 20, 2011
Tuesday, February 15, 2011
a loaded act
this is a follow up to this post.
so let me see here, the issue of the loaded act...an issue that stems from the societal/cultural creation of a norm - what is deemed by any given society as normal.
Here's why normality is related go gdance.
Someone is walking down the middle of downtown, they see a space that looks particularly inviting and this person has the urge to dance in that spot. Like a child wanting to play with a new toy, this desire is innocent. The person moves towards the spot, and a pang finds her stomach. All these people walking to and from work will notice me (hesitation) that'll be weird; I'm not gonna do that.
That would not be normal, like the normal act of walking next to someone you know while you walk to Subway for lunch, or like the normal act of driving down the right side of the road in the States: an act that would be weird in somewhere like France. This is how what is normal relates to guerrilla. Normality is constantly in opposition to acting beyond the norm, and most importantly to me, can often be in opposition of someone doing what someone wants to do. Not an act that hurts anyone else, simply an innocent desire to dance in a cool place. Guerrilla dance is in the business of supporting what people want to do, and what makes them happy/feel fulfilled. Our norms can get in the way of that.
Now, before I end this post on that note, let me clarify that when I say "supporting what people want to do, and what makes them happy/feel fulfilled," I speak in relation to something that will not hurt another creature (human or otherwise.) Many people have the desire to shoot others, to take advantage of, to torture, to make fun of, to leave behind, etc. I won't even begin to reference such things. I simply don't understand the need for norms that continue to harm individuals by not allowing them to fulfill simple desires such as dancing all over.
p.s.
this is where the real meat is though. why do we think certain things, such as dancing in certain places, is weird, yet walking down a street while completely ignoring thousands of others in the course of any given week is normal? Why is going onto a stage, wearing one glove, and grabbing one's crotch seen as cool, but if I do the same thing on my street corner I get cockeyed looks? what makes a norm, who makes a norm, and why do some norms work to keep people from expressing themselves when they feel the need? lots of questions
...next time, I'll probably'll focus on the origin of norms/why norms are created in the first place.
so let me see here, the issue of the loaded act...an issue that stems from the societal/cultural creation of a norm - what is deemed by any given society as normal.
Here's why normality is related go gdance.
Someone is walking down the middle of downtown, they see a space that looks particularly inviting and this person has the urge to dance in that spot. Like a child wanting to play with a new toy, this desire is innocent. The person moves towards the spot, and a pang finds her stomach. All these people walking to and from work will notice me (hesitation) that'll be weird; I'm not gonna do that.
That would not be normal, like the normal act of walking next to someone you know while you walk to Subway for lunch, or like the normal act of driving down the right side of the road in the States: an act that would be weird in somewhere like France. This is how what is normal relates to guerrilla. Normality is constantly in opposition to acting beyond the norm, and most importantly to me, can often be in opposition of someone doing what someone wants to do. Not an act that hurts anyone else, simply an innocent desire to dance in a cool place. Guerrilla dance is in the business of supporting what people want to do, and what makes them happy/feel fulfilled. Our norms can get in the way of that.
Now, before I end this post on that note, let me clarify that when I say "supporting what people want to do, and what makes them happy/feel fulfilled," I speak in relation to something that will not hurt another creature (human or otherwise.) Many people have the desire to shoot others, to take advantage of, to torture, to make fun of, to leave behind, etc. I won't even begin to reference such things. I simply don't understand the need for norms that continue to harm individuals by not allowing them to fulfill simple desires such as dancing all over.
p.s.
this is where the real meat is though. why do we think certain things, such as dancing in certain places, is weird, yet walking down a street while completely ignoring thousands of others in the course of any given week is normal? Why is going onto a stage, wearing one glove, and grabbing one's crotch seen as cool, but if I do the same thing on my street corner I get cockeyed looks? what makes a norm, who makes a norm, and why do some norms work to keep people from expressing themselves when they feel the need? lots of questions
...next time, I'll probably'll focus on the origin of norms/why norms are created in the first place.
Wednesday, January 26, 2011
Friday, January 21, 2011
Bodies in Urban Spaces
A while ago someone alerted me to this really cool group. It is led by Willi Dorner (head of Cie. Willi Dorner) and Rashana Smith recently directed me to speak with someone who has worked with the group. Lisa del Rosario was kind enough to lend me a few words about her personal experience with the group:
"The choreographer, Willi Dorner, traveled from Austria and auditioned dancers for this project 2 months earlier before the project began. Then 2 months later, we worked for 8 days straight working 9-5pm building a 2 mile trail of body sculptures. It was freaking strenuous. I felt like I got beat up by a bat at the end of the day...[and] I had to sleep on my belly one night after trying to squeeze between an electric pole and an electric box upside down several times. Lots of trials and errors, and very, very precise positioning.
The show consisted of about 20 pieces. We ran from one to another and had to hold it for 5 min or longer as the audience walked by. It really changed me--I'm still inspired by it because it fucking toughened me up."
Definitely google BIUS and check out the plethora of photos of Dorner's work.
a few links in that vein:
Wall Street Journal photo blog
Nice little description, and showing of presentational format, fi;af's Crossing the Line
watch it in action, and get a feel for the process of building some of these formations (2:47 is nice).
Dorner's site
...till next post
"The choreographer, Willi Dorner, traveled from Austria and auditioned dancers for this project 2 months earlier before the project began. Then 2 months later, we worked for 8 days straight working 9-5pm building a 2 mile trail of body sculptures. It was freaking strenuous. I felt like I got beat up by a bat at the end of the day...[and] I had to sleep on my belly one night after trying to squeeze between an electric pole and an electric box upside down several times. Lots of trials and errors, and very, very precise positioning.
The show consisted of about 20 pieces. We ran from one to another and had to hold it for 5 min or longer as the audience walked by. It really changed me--I'm still inspired by it because it fucking toughened me up."
Definitely google BIUS and check out the plethora of photos of Dorner's work.
a few links in that vein:
Wall Street Journal photo blog
Nice little description, and showing of presentational format, fi;af's Crossing the Line
watch it in action, and get a feel for the process of building some of these formations (2:47 is nice).
Dorner's site
...till next post
Wednesday, January 19, 2011
a(nother) beginning to guerrilla talk
a while back I wrote about how I tend to look at guerrilla (dancing in this case.) For those who may have interest in anything I say, I definitely would redirect you to take a look at that to see some of where I am coming from when I talk about this (fairly expansive) thing. it's a good base to bounce off of
alright, so guerrilla dance
what exactly happens when one guerrilla dances? "about a zillion things" would be my answer - not exactly a zillion mind you, only approximately seeing as this is definitely not an exact science. at a very basic level, one who is 'guerrilla dancing' tends to enter a space where dancing is not often normal (i.e. a street corner, a cafe, a bookstore, a lecture hall, a library, etc.) and begins to dance. as is probably already obvious (though I will soon elaborate on it anyway) each person who does this act of guerrilla dancing, is doing so for his/her own reasons.
Some people do it to bring dance to people who rarely see it; I've known some who use it as a way to perform grand acts that impress others...in other words, to show off; some people have done it simply because, "Oh! that looks like fun. I think I'll do that;" others do it as a way to say "fuck you" to the man, "this is a free fuckin' country and I do what I want, where I want it!!!!!!!!!;" while even others do it just because it's fun to dance somewhere other than the studio - a place in which contemporary 'dancers' spend the majority of their time training/dancing. I've never met one person who dances for only one reason, but instead a mix of these (and other) ideas.
My own personal reasons for gdancing. it's fun to dance in varied landscapes with various textures; it's exhilarating to pay as little attention as possible to the social codes that tell me, "this is not a normal dance space! it's weird for you to dance here!" and lastly (and quite prominent a reason) to find a sense of meditation in such a loaded act.
There are several more (conscious) reasons I do this act of gdancing, but their complexity and vagueness are better suited for another time. These are the most straightforward, and prominent reasons I gdance.
p.s.
I really like the idea of "meditation in such a loaded act." I think that speaks pretty directly to the idea I brought up that gdancing is dancing in "a space where dancing is not normal." what normal has to do with all this, and why that creates a senses of a "loaded act"...hmmmm, I think I'll talk about those in my next post.
alright, so guerrilla dance
what exactly happens when one guerrilla dances? "about a zillion things" would be my answer - not exactly a zillion mind you, only approximately seeing as this is definitely not an exact science. at a very basic level, one who is 'guerrilla dancing' tends to enter a space where dancing is not often normal (i.e. a street corner, a cafe, a bookstore, a lecture hall, a library, etc.) and begins to dance. as is probably already obvious (though I will soon elaborate on it anyway) each person who does this act of guerrilla dancing, is doing so for his/her own reasons.
Some people do it to bring dance to people who rarely see it; I've known some who use it as a way to perform grand acts that impress others...in other words, to show off; some people have done it simply because, "Oh! that looks like fun. I think I'll do that;" others do it as a way to say "fuck you" to the man, "this is a free fuckin' country and I do what I want, where I want it!!!!!!!!!;" while even others do it just because it's fun to dance somewhere other than the studio - a place in which contemporary 'dancers' spend the majority of their time training/dancing. I've never met one person who dances for only one reason, but instead a mix of these (and other) ideas.
My own personal reasons for gdancing. it's fun to dance in varied landscapes with various textures; it's exhilarating to pay as little attention as possible to the social codes that tell me, "this is not a normal dance space! it's weird for you to dance here!" and lastly (and quite prominent a reason) to find a sense of meditation in such a loaded act.
There are several more (conscious) reasons I do this act of gdancing, but their complexity and vagueness are better suited for another time. These are the most straightforward, and prominent reasons I gdance.
p.s.
I really like the idea of "meditation in such a loaded act." I think that speaks pretty directly to the idea I brought up that gdancing is dancing in "a space where dancing is not normal." what normal has to do with all this, and why that creates a senses of a "loaded act"...hmmmm, I think I'll talk about those in my next post.
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